Kelela has just released her highly-anticipated debut album, the "Take Me Apart", via Warp Records, and is available for stream/download on iTunes HERE.
Kelela was recently announced as the cover star of The FADER's Paradise issue. She also debuted "Waitin" on BBC Radio 1 where the track earned 'Hottest Record' honors. Later she was interviewed by Ebro for his Beats 1 show where she dropped "Blue Light," listen to the interview here.
On September 24th, Kelela performed at the iconic Hollywood Bowl alongside friends and fellow artists Solange, Blood Orange, Moses Sumney, KING, and Kelsey Lu. On October 25th she will kick off a lengthy tour, playing shows across North America through November before heading to Europe for a slew of dates that will conclude in December in Amsterdam with tickets available here. Shows in San Francisco, Oakland, Toronto, New York, Minneapolis, DC, and London have already sold out with many more on the verge of doing so.
What the press is saying:
"Kelela's 'Take Me Apart' Is R&B That's Intimate Inside and Out... Desire and distance, heat and cool course through.... It's a digital phantasm, a matrix of synthetic sounds enfolding countless tracks of Kelela's vocals. Yet for all its electronic metamorphoses, the goal it achieves is intimacy, as Kelela whispers and coos about all the shifting modalities of getting close to someone. She makes sure that virtuality leads back to physicality." - NY Times
"Take Me Apart' is a patiently constructed monument to romance and restlessness"
- The Ringer
"'LMK' with its murmuring bass tones and gurgling synth melodies, is like a scrambled text that Prince has sent us from beyond the grave. Closing track "Altadena" is probably the most purely gorgeous thing that Kelela has ever sung, like something that some faraway society might beam back to us if all it picked up on intergalactic radio waves was SWV and '90s Michael Jackson... such a towering achievement of an album" - Stereogum
"Kelela's 'Take Me Apart' Is The Definition Of A Breakthrough Album" - NYLON
10/25 - Santa Barbara, CA @ SoHO
10/26 - Los Angeles, CA @ El Rey Theatre
10/28 - Los Angeles, CA @ Camp Flog Gnaw Carnival
10/29 - San Francisco, CA @ The Independent (SOLD OUT)
10/30 - Oakland, CA @ The New Parish (SOLD OUT)
11/1 - Portland, OR @ Hawthorne Theater
11/2 - Seattle, WA @ Neumos
11/5 - Minneapolis, MN @ 7th Street Entry (SOLD OUT)
11/6 - Chicago, IL @ Promontory
11/7 - Detroit, MI @ El Club
11/9 - Toronto, ON @ Velvet Underground (SOLD OUT)
11/10 - Montreal, QC @ Belmont
11/11 - Cambridge, MA @ Middle East Downstairs
11/12 - New York, NY @ Bowery Ballroom (SOLD OUT)
11/13 - New York, NY @ Bowery Ballroom (SOLD OUT)
11/15 - Philadelphia, PA @ Coda
11/16 - Washington, D.C. @ U Street Music Hall (SOLD OUT)
11/17 - Durham, NC @ Motorco Music Hall
11/18 - Atlanta, GA @ Masquerade (Hell Stage)
11/20 - New Orleans, LA @ Gasa Gasa
11/21 - Houston, TX @ White Oak Music Hall Downstairs
11/27 - Manchester, UK @ Gorilla
11/28 - London, UK @ Heaven (SOLD OUT)
11/29 - London, UK @ Heaven (SOLD OUT)
12/1 - Paris, France @ Gaite Lyrique
12/2 - Antwerp, Belgium @ Trix Club
12/7 - Berlin, Germany @ Berghain
12/9 - Stockholm, Sweden @ Debaser Strand
12/11 - Copenhagen, Denmark @ Pumpehuset
12/12 - Hamburg, Germany @ Uebel & Gefährlich
12/13 - Amsterdam, Holland @ Tolhuistuin
1/13 - Melbourne, AU @ Sidney Myer Music Bowl (w/ The xx)
1/13 - Brisbane, AU @ Riverstage (w/ The xx)
1/13 - Sydney, AU @ The Domain (w/ The xx)
With great anticipation, Kelela's debut album emerges as an epic portrait of an artist spanning the past and future of R&B. In her hands, however, the genre knows no boundaries and so Take Me Apart exists as an absolutely singular and fearless addition to a canon of recent classics. From her very earliest work, honesty and vulnerability have been cornerstones of Kelela's art - even when clad in the armor of the avant-garde electronics she so deftly inhabits - and Take Me Apart sees her double down on both the emotional intensity and resonance of her message as well as the sonic seeking she is renowned for.
On 2015's acclaimed Hallucinogen EP, Kelela swept listeners along in the rush of ecstasy and the melancholic vapor trail of a hopeful, but ultimately doomed liaison. Hallucinogen would prove to be a turning point, and The New York Times would name it's single, "Rewind", one of the "25 Songs That Tell Us Where Music Is Going". The EP's oversized impact would ignite a period of kinetic worldwide live shows culminating in Kelela crisscrossing the globe on tour with The xx. In parallel with this, 2016 and early 2017 would see Kelela grace a handful of crucial records as a feature vocalist - from longtime ally Solange's majestic A Seat At The Table, to Danny Brown's immense Atrocity Exhibition and most recently, the star-studded Humanz from Gorillaz.
These appearances would be tantalizing signs leading the way to Take Me Apart. Amplifying the ideas explored on Hallucinogen, here Kelela treats relationships and their effects like a Matryoshka doll, unveiling layer after layer to find herself at the center. Expressing an honest vision of how we navigate dissolving ties with each other and yet remain sanguine for the next chance at love,the emotional ricochet is traced across the album's narrative. Take Me Apart stands not only as an intensely personal chronicle, but also a defiant and turbulent statement direct from Kelela; "Despite it being a personal record, the politics of my identity informs how it sounds and how I choose to articulate my vulnerability and strength. I am a black woman, a second-generation Ethiopian-American, who grew up in the 'burbs listening to R&B, Jazz and Björk. All of it comes out in one way or another."
The process of crafting Take Me Apart embraced the approach of widely collaborative R&B, hip-hop and pop production while roaming a strange and wonderful path. Working with a cast of peers, Kelela deconstructs many results of their collaborations and builds them back up into pieces of a cohesive whole, effectively orchestrating these multitudes in aid of her singular vision. "It's this tapestry I've knitted together that attracts different types of listeners and challenges them at the same time, often within the same song. That's what I want to bring to my entire catalogue" says Kelela. Testament to this approach, the album opens with a stunning trio of high points from the low-slung mechanized swing of 'Frontline' to the kaleidoscopic splendor of 'Waitin' - by which point you've been pulled straight into the tale Kelela is weaving, and the warped and chaotic beauty of the title track before dropping into 'Enough' which sounds as if it could have been transmitted from a neon-lit jazz club in Akira's Neo-Tokyo.
The timeless, zero-gravity ballad 'Better' sees Kelela at her most unadorned - baring her soul to a nameless other over subtly transforming piano and synth textures while first single 'LMK' is all staggering club swagger that manages to span the past 20 years of innovative R&B while still exploring another dimension of possibilities. These songs typify the melding of classic song-craft and inventive production approach at the album's core, but it's here where things take yet another exhilarating turn. 'Truth or Dare' has the brittle snap and vocal twists of a Neptunes track while 'Blue Light' sees Kelela weld her sweeping pleas to the warped sonic palette of Grime, pointing the way forward to a possible future of cybernetic soul.
Now we are swept into the slipstream of a pair tracks in 'On And On' and the otherworldly grandeur of 'Turn To Dust', which conjures images of the powerful and iconic diva of Besson's The Fifth Element; and it's a short trip to the unforgettable pneumatic gospel of album closer 'Altadena', a perfect uroboros link back to 'Frontline' to begin the saga all over again. At this point you're left with the feeling that this trip through Take Me Apart is one you'll be making many more times.